Музыка Дикаприо и Макконахи

Расслабляющая песня?
вдохновило его это:
http://www.youtube.com/watch?v=zLVdrgd8w_s
Его (МакКонахи) интервью об этом:
"GROSS: So I just want to explain, you're at a studio in New York, and
I'm at a studio in Philadelphia. So we're not in the same room. And when
my engineer turned on your mic, you couldn't hear me yet, but I could
hear you. And what you were doing was...
(LAUGHTER)
GROSS:
...kind of singing, chanting. Part of it was like a meow, meow, meow,
meow. And then you were doing this other thing. What was that about?
MCCONAUGHEY:
Oh, I was - it was a couple things. It was - I was sort of banging on
my belly and chest and humming and (makes noises). And it's something I
do kind of, one, to get the voice going, which is good for radio and
these wonderful mics you guys have.
GROSS: Oh, yeah, so that's - yeah.
MCCONAUGHEY:
Also, rhythmically, it loosens me up. It relaxes me. And you know third
is? You always - you used to have it. I don't know if you all have it
anymore. There was a musician, Ali Farka Toure, and he used to be the
segue, or maybe he still is in places.
(SOUNDBITE OF HUMMING)
MCCONAUGHEY:
It's from a song "I Do," a great song off of "Talking Timbuktu" that he
worked on with Ry Cooder. And I actually went and met that man, and
he's the reason I went to Africa. I found him in a little town called
Niafunke on the Niger River. And he has since passed away, I think, a
few years back. But that was always - that's where a bit of that chest
beating, humming comes from. And it's a little call out to Ali, as well.
GROSS: Huh. So do you do that on a set to warm up your voice and kind of get in the rhythmic spirit? Yeah.
MCCONAUGHEY:
It's a rhythm thing. It's a rhythm thing. It sort of, you know, takes
the periods and turns them into commas for me. So it's - and I'm a -
music and sound is very important to me, and it relaxes me, and it sort
of - there's also something relaxing about someone going what in the
hell's he doing, you know.
(LAUGHTER)
MCCONAUGHEY: And I'm
look good, I got one on you. You're not sure what I'm doing. OK, we're
free. But it's very good for the instrument. It's very good for the
acting instrument, too. (unintelligible).
GROSS: So can you do it one more time?
(SOUNDBITE OF HUMMING)
GROSS: So that's your chest you're playing?
MCCONAUGHEY: Yeah.
GROSS: It sounds like you could work McConaughey into that chant.
(LAUGHTER)
MCCONAUGHEY: Yeah, you could work - it's got the right amount of syllables."