Cестробратцы-меломанцы , кто-нибудь сможет мне аргументированно объяснить -- см . вн . \\\\\\\\

DI: You were one of the last people to play with John Lennon. How did that come about?

TL: As usual, I was called to do it by the production people -- that’s usually the way it is when I do a record. John didn’t know me. He came up to me the first day and said, “I don’t know you. They say you’re good. Just don’t play too many notes.” I said, “Don’t worry. You got the right guy, John.” It did work out very well. I loved playing with him, and he seemed to respect my parts. It was a treat for me that later he doubled a lot of my parts with horn parts and stuff. Clearly, he was listening to my bass parts. It was one set of sessions, but later they made two albums out of it -- Milk And Honey and Double Fantasy. It was a pleasure, of course, and an honor for all of us musicians who were involved in it. There was to have been a world tour with both John and Yoko. It’s just one of the many things the world was robbed of by his sad death.
Любил Джон всяких эксперементаторов, да и к ситару неровно дышал....

В такой King Crimson мог попасть кто угодно. Такой King Crimson нам (подразумеваю - мне) не нужен.
Здесь то же он
и здесь

работал Левин с кем придёцца прям по неразборчивости-
с Ленноном, Гэбриэлом, Боуи, ВанХаленом, Силом, ЭлисКупером, ПинкФлойдами всякими, Йесами, ДайрСтрейцами.... со всеми, кто не прогонял просто!.. .

это Розенбаум