Люди, стоит ли мне переводить такой текст с таким английским? Если да, то как?

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The V&A was set up in eighteen fifty two after Great exhibition and people who established it included Own Jones who probably was expert in Islamic art at that time in Britain. And they were seeking to find models of British designer to educate British taste because they felt that British design and British taste were good enough to compete on international market. One of thins I try to bring about in gallery is when Islamic empire was formed in seventh and eighth centuries Islamic art did not appear miraculously at one time but developed gradually out of artistic traditions of states that existed before and in terms of Middle East the important was Byzantine Empire in the West and Syssanian state in Iraq and Iran in the east. And you can see many traditions from those places

When you come to our gallery one of the introductory places shows different type of patterns and motives used in Islamic art just to give people some sort of framework so they begin to understand it and the elements we have picked up it is very common in relation to early Islamic art rather that art after fifteen hundred is a calligraphy is a key element. In other words there are Arabic script with refined level it can be used decorative element in all sorts of media as well as writing on paper and carving inscriptions in stem. So you find inscriptions in textiles and tile works in all sorts of media. There is also a display of plant based motives. Plant based motives were commonly used in antiquity both in Mediterranean world where you have old Rome and Byzantine art but also in Eastern Islamic world in terms of Iran where you have Syssanian empire, an art that also used plant based motives. They were taken by Islamic art by people producing it. They were abstracted and patterns based on quite strict geometrical principles. And also you see in the Medieval Islamic art wide spread use of geometric patterns which are also drawn from pre-Islamic period in terms of origins but they developed into quite complex form so you have a sort of symmetry and regulatory pattern which is seen in both rectilinear patterns but also in other pans based on plants. And I think those patterns because they are rich, expensive and they tell people the generosity and wealth of patterns but also they represent the order of the world. I think it is linked to political system in Islamic world rather to religious one. People say they have strong cosmic symbolism but actually it is very noticeable that in the medieval period for example people did not write works which explain these terms of cosmic symbolism. And as artist you do not make things up because they seem nice you actually rely on things the people said at that time in order to explain patterns. And there is a complete silence from medieval world about cosmic significance for these patterns